Keywords
How to Cite
Abstract
The article provides an objective evaluation of modern interpretations of classical Uzbek prosody (aruz), the development of Samandar
Vohidov’s inclination toward composing poetry in aruz meter, as well as his poetic collections, poetic style, and translation activities. The
analysis explores poetic devices, symbols, intertextual elements, and religious-mystical connotations.
References
1. Hojiahmedov, A. (1998). Uzbek Aruz Dictionary. Tashkent: Sharq. (p. 3)
2. A’zam, A. Aruz: Lessons from Alisher Navoi and Zahiriddin Muhammad Babur. – Tashkent: Publishing House of the National Library of Uzbekistan named after Alisher Navoi, 2006. – p. 7.
3. Sources of Classical Eastern Poetics in the Interpretation of Hamidulla Boltaboev. Vol. 1. – Tashkent: Uzbekistan National Encyclopedia, 2006. – pp. 33–34.
4. Introduction to Literary Studies. Authors’ Collective. – Tashkent: O‘qituvchi Publishing House, 1979. – p. 191.
5. Fitrat, A. Selected Works: Textbooks, Teaching Aids, Scientific Articles and Studies. – Tashkent: Ma’naviyat, 2009. – pp. 53–54.
6. Vohidov, S. Longing for the Vastness. – Samarkand: Zarafshon, 1991. – p. 98.
7. Vohidov, S. Longing for the Vastness. – Samarkand: Zarafshon, 1991. – p. 135.
8. Vohidov, S. You Are in My Thoughts (Poems, Ghazals, Mukhammases, Epic Poems). – Bukhara: Bukhara, 1997. – pp. 149–150.
9. Vohidov, S. You Are in My Thoughts (Poems, Ghazals, Mukhammases, Epic Poems). – Bukhara: Bukhara, 1997. – p. 150.
10. Hojiahmedov, A. (2018). Foundations of Aruz Theory. Tashkent: Akademnashr. (p. 5)
This work is licensed under a Creative Commons Attribution 4.0 International License.